I Cannot Think Of A Title For This Superstar DJ Update

I was back in my favoured warm-up slot on Friday night.  Why is it favoured?

Because I can play my favourite music.

So I started off which some melancholic dub techno, at quite a slow BPM, I think it was around 118bpm.  Far too underground for most people but considering there were about 6 people there, it seemed mood-settingly appropriate.

30 minutes later, despite there being just a couple of dozen people there, one lady kept asking me if I could play something banging, just for her.  Or some jungle.  I deflected her requests but I did relent and progressed smoothly into deep house – the gorgeous sunshine-filled deep house, not the anti-deep house of the charts.

As the second hour of my set commenced, I changed track into playing minimal, but quite twisted minimal – definitely tracks you could dance to.

It was filling up nicely by time midnight approached, and I played increasingly dancefloor-friendly yet still underground tracks, and finished off on this beauty, it still sounds so good.

Musically I think it was the cleverest set I have played live.  There was little planning, as usual I had practiced my first two tracks and little else.  Though there were more slightly-off mixes than I would have preferred, and one mix that just sounded awful.  Every month I say it, I need to practice more.  I spend more time DJing live then practicing.

A wise man one said you can only become an expert at something with 10,000 hours practice.  Maybe I am at 300 hours in total.

The night itself went really well, with two masterful DJ sets that followed me.  And it stayed busy right until the end, people kept dancing.  I am hoping this is a sign that word is spreading of the night as it seemed busier than the rest of the Turtle.

Next up we have the charming Terri headlining on Friday 19th June.  Otherwise known as TAB.  There are a couple of items on the agenda in the coming months that could be very special if they come off, but you won’t hear anything from me until and if they are confirmed.

I will also be recording a house mix too.

Not My Sister's Taste In Music

I spent years trying to convert my sister to the charms of house music when we were growing up.  I even made her a couple of tapes when we were young.

I think she coped with the house music but was particularly put-off by my jungle phase, her walls being adorned with Spice Girls, Westlife and Steps.

Thankfully she made it out of manufactured music but ended up an indie kid – so we pretty much have diametrically opposed music tastes.  I failed in my childhood conversion attempts.

So a few months back, I set myself a task of trying to design a mix that could be influenced by her music tastes but yet still be music I love.

Appropriate tracks were few and far between, but eventually I collected enough track ideas – a lot of male vocals that could have been stripped from indie tracks, with guitar licks, and often deep trance melodies.

Upon the first attempt, I realised that there was a big problem.  Too many of the tracks sounded the same.

So I went back into research mode – this is a mix that was well-planned, unlike some other mixes and all of my live DJ sets that are pretty much off the cuff.

It needed to be well-planned for there really wasn’t a whole load of tracks that would fit the rather tight criteria.

Eventually I found some tech-house which fit the mood, and some more guitary kind of tracks.

The mix isn’t going to win any underground awards.  I doubt I will listen to it more than a few times.  The levels on a couple of the early mixes are slightly off, and on the last mix I clearly lost concentration.  But I didn’t fancy recording the whole mix again.

Not My Sister's Taste In Music by James Winfield on Mixcloud

I have accomplished what I set out to achieve and I think most people will enjoy it.  As always, I would dearly like your thoughts, good or bad.  Feedback and practice are the two ways I will improve.

Next up I will be DJing at the Purple Turtle on Friday 15th May which I am looking forward to having nearly burnt down the place last time.  It was rather busy last time and there were a good few close friends there which is always touching.

Except when I cleared the dancefloor by playing heavy duty techno.  And then again when I started a small fire.

DJ On Fire

This Friday just gone was the first time I had headlined the monthly party I play for.  I had top bill and the closing set.

We had a guest called Mr Bit, whom I was imagining to play rather tough techno, so I was planning on playing techno too.  He didn’t – his sound was closer to tech-house with some of his own productions.  Both him and Martin did really well, and had the dancefloor moving nicely.

It was rather on the busy side.  The Turtle itself didn’t seem that busy, and town was very quiet.  But our basement was busy.  Co-incidence?  Or has word spread?  I suspect more of the former, combined with good DJ sets that kept passers-by downstairs.

I came on to a busy dancefloor, and played some Maceo Plex style tracks before moving up into techno, and picking up the BPM a bit.  After 30 minutes I was playing some fairly tough techno.

It cleared the room.

At first I thought maybe people had gone for a cigarette, but they were not coming back and more were leaving, so I backtracked back into more of a tech-house/house feel and it worked.

The crowd came back, people were dancing again and all was good.  But I was rather hot behind there so switched the fan on.

It only worked for a few seconds and was a bit smelly.  So we put it on a higher setting.

At which point there was a strong burning smell, we noticed smoke starting to pour out and flames started leaping out of the fan.

Insert joke about the DJ being on fire.

My what-the-fuck-do-I-do-here reaction was to blow on it.  Which actually worked.  I did then notice the fire extinguisher but I didn’t need to use it.  However all the power behind the DJ booth cut out.

Again, I had cleared the dancefloor.

It took 10 minutes for the management to fix it and I just couldn’t get the vibe back.  People were giving me high-five’s for causing a fire but I just wanted to play music.

I was disappointed in my set overall.  I take it as part of my DJ apprenticeship.  I did learn quite a bit – I cannot get away with more than a couple of tracks of techno.  I need to prepare more.  I need to practice more.  I should take a hand-held fan.  Musically I know what works down there, but I don't yet know everything that doesn't work.

I like rating things and I wouldn’t rate my set higher than 4 out of 10.  That said, I got plenty of compliments and my very own DJ groupie for the night whom I probably should have asked for her number.  Thankfully I am much better at DJing than I am with women.

I need to practice both more.

Next up I shall be doing the warm-up on Friday 15th May.  I’m thinking dub techno.

A Lesson In DJing With One Deck

I was ridiculously busy on Saturday.  Housework, studying, watching football, 2 hours of ironing, 2 hours helping my best friend move her stuff – lots of heavy lifting.  It got to 7pm and I was shattered, and still hadn’t had a practice mix.  I had no idea what I was going to play.  And then I fell asleep.

When I awoke, post disco-nap, I did my usual slightly nervous thing, finding any excuse not to go anywhere near my decks until I eventually forced myself, poured myself a glass of wine and pressed play.  I was absolutely on fire.  That practice hour was probably the best I have ever mixed – I was playing quite tough, kind of tech-house but tracks with personality.  My mixing was really good and my timing was spot on every time – plenty of invention too.

Then I arrived at the club and it was dead.  It soon became apparent that one of the decks outside was not working.  I resigned myself to not playing, got a drink and chatted to a few friends.

The DJ before me had given up but I decided to give it a crack anyway.  The right-side deck in the garden has long had problems of a sticky play button – but now it was totally unplayable.

So all I could do was play a few tracks and fade them in and out.  I tried a few different things before settling on disco – it made more sense as disco music is not quite so designed for mixing, and it has good musicality.

It didn’t really get much busier and the night ended early.  I waived my 4-figure DJ fee.  I doubt the headliner did.

Why was the night so quiet?

I don’t think it was the music.  Eli & Fur were a good booking, they should have appealed to those in Reading that go out clubbing.  There was no lack of effort in promoting the event.  External factors may not have helped – the Annie Mac night is possibly overshadowing other events in the town at the moment, the weather was cold and it was Mother’s Day the next day.  Town did seem quieter than other Saturdays.

However I think the problem itself is, I’m afraid to say, Zeus.

Personally I quite like the club.  It is one of the few places in Reading where promoters can run events that are not common-denominator banality music-wise.  Indoor has one of the better sound systems in Reading.  The garden is a good place to be during the summer.  I always have fun there.

But most of my friends don’t like it.  When I tell people that I’m playing at the Purple Turtle, they are interested and persuadable.  Tell people that I’m playing Zeus and they turn their noses up.  There isn’t much I can do to persuade people to come and see me DJ at Zeus.

Zeus does now have a lot of competition in the area from venues that people might go to instead – RYND, Purple Turtle, Sub89 (at least for Cubed nights), Coconut, Oakford, Milk, you could probably add Matchbox, Revolution and the new place, Treehouse, to that list too.  Several of those are new places, or newly refurbished places, and people always like the feeling of going somewhere new.  And clean.  Even the Oakford is rumoured to be getting a refurbishment this year.

Those places also look a lot better than Zeus.  To me, how a club looks is the least important factor.  But I’ve lived in Reading long enough, to know that people in this area like things that look nice.  Zeus looks tacky inside and a cross between a sauna and a bin shed outside.

Without a refurbishment and a relaunch, I don’t see how the house music type of crowd will start flowing back.  Zeus could concentrate on the drum’n’bass kind of side which is popular in the town and not very well catered for.

Or it could have a proper re-design, take out all the tacky elements in the main room, lower the DJ booth to the ground so the crowd can interact with the DJs without straining their necks, paint the outside, remove the weeds from the roof, perhaps expose the brickwork inside like RYND have done – you could even have some eye-catching edgy art on the outside – make it talked about.  The garden should be turned back into a welcoming garden – with the heaters switched on during winter, a clear and crisp soundsystem and decks that work.  And the name needs to change – who the hell dreamt up the name “Zeus”?

The space itself has plenty of potential – those of us that have been around for a while know that it was “the place” during the Mango days.  It might seem that I am being overly critical but it is only because I care and I want to see that venue do well.

Next up for me is the Purple Turtle on Friday night.

I’m playing midnight until 130am and will be playing good quality house music.  Perhaps getting a little techier towards the end.  And all the equipment works there.  It feels good, there will be a good little crowd of us and if you hate the music I play then you can always go in the garden or upstairs.

Come down and join us.

Knowing Your DJ Set Times In Advance

There are some annoying things about DJing.

Actually.  Let's get this right, there are some annoying things about promoters.

Firstly, I want to know what my set time is in advance.  I can perhaps understand if you are booking several international jet-setting DJs and are juggling around flight times, etc or their agents are being a pain in the arse, but if you are doing a local night in Reading there is no excuse for telling your DJs the night before, what time they are playing.

Of course some DJs will just play the same set no matter what time they are booked.  Some DJs have their pre-planned and practiced set that they will not change no matter what.

I like to think about my sets well in advance.  I am sat here at my desk all day, listening to music and constantly coming up with ideas of tracks to play.  This applies to all of my life as I am rarely without music.  I am always thinking about what to play.

I don't plan my sets in detail but I do like to have a pool of tracks in my head that excite me, that I want to play and that I think might fit the moments.

The second thing that annoys me is short DJ sets.

It was fine when I was first starting out and nervous to be playing, to be playing just an hour.  But unless you are just bashing out the big tunes, then an hour isn't enough with the kind of music I play.

I have seen some promoters, two particular ones who are two individuals that I really like as people, offer 45 minute DJ sets.  How the hell can you create and perform your musical vision in just 45 minutes?  What do the crowd think about having such a schizophrenic line-up?

We all know why they do it, I am not exactly letting go of a secret here but the more DJs you book, the more people you have in the club as they will all do your promoting for you, at minimum by bringing their friends.  At least that is the theory.  I'm not sure it works - I promote more when I feel special.

I am a DJ.  Not a promoter.

I now refuse to play for less than an hour and a half.  If I am going to DJ then it has to be something special - I'm not interested in the merry-go-round.  I have to be able to do create something artistic - at least in my brain.

Thankfully I am working on a regular basis for two promoters that are well-organised and running decent nights with set times advised well in advance and where I can play for longer than an hour.

This coming Saturday 14th March, and then Friday 20th March.

Please come.

I think that is my promoting duty done.

DJing Sober

I was a little bit concerned about DJing totally sober on a Friday night straight after a long week at work, without even a red bull allowed.

So I took a flexible half-day so I could sleep in and then have a disco nap in the afternoon.

I slept in until 7am and had a 15 minute afternoon nap.

As has become my new plan, I practiced the first two tracks only, though I had an idea of what else I wanted to play.  It was quiet when I started – the downstairs bar had only just opened but it gradually started to become busy.

I played a lot of minimal to start – in fact someone told me that everything I played was minimal – though I like to think that I finished on underground house.  It was an opportunity to play tracks that I love that I wouldn’t normally get the opportunity to play.

I did get some good feedback, though one German guy questioned me on why I would play minimal.  I didn't see him again.  My good friend JP told me that he actually liked it - kind of hypnotic I think he said.  Especially this track by Cristi Cons - one of my favourites from 2014.

Fairly quickly I have worked out what the crowd there like – and that is punchy kickdrums – and basslines.

And when I played this monster by Enzo Sirasuga & Alexkid, people flooded in, and it was already quite busy.

I handed over a reasonably busy dancefloor to my hosts to take the tempo up a notch and then danced for as long as my tired, sober self managed, which was about 45 minutes.

So what was it like DJing totally sober?

Well pretty much the same.  I was still a little nervous beforehand and my love of the music carried me through any tiredness with a dose of adrenaline too.  I don't recall any mistakes, one or two mixes could have been tighter and I had less confidence when it came to being adventurous in my mixing style so there was more blending than I had planned.

I enjoyed it just as much as DJing drunk and managed to resist all temptations - and there were a lot of temptations.

Next up I am DJing at the Eli and Fur night on 14th March at Zeus, in the garden from 230am until 4am.

I won't be sober and I won't be playing minimal.  Well, maybe a little to bring it down at the end.

And I'll be back at the Purple Turtle every 3rd Friday until I get barred.

Exciting News!

I have exciting news.  I have a DJ residency!

I will be playing on a monthly basis at the Dark Matter Presents night, on the 3rd Friday of every month in the basement of the Purple Turtle.

This is like a dream for me, to have my own residency, once a month, where I can play to a crowd of regulars, playing new and old music that I spend several hours every day discovering and hopefully being an integral part of what I believe will be a successful night.

It means I have opportunity to play all the types of music that I enjoy – from minimal/underground house, to full-on techno, chunky house, deep trance, proper deep house, disco and electro.  Different set times should give me the chance to try different music styles, and hopefully some back-to-backs with Martin & JP.  It's going to be a hell of a lot of fun.

To be a part of something is far more rewarding than just playing an hour for a random promoter.  I really do feel the night will be a success, and will be talked about.  It does have a really good feel down there and of course, is delightfully free to get into.

It means when someone asks me when I am next DJing, I can say “3rd Friday of the month – come down, it’s free entry!”.  I have something to sell to people.

The first one is Friday 20th February.

I said that I wanted to do one set a month this year and this suits me perfectly.  I don’t want to be doing random hour-long sets in the garden of Zeus in the middle of winter for 2 drink tokens where I subsequently end up spending £50, not to mention the time spent downloading music, burning CDs and the fuckers that stole my headphones – twice.

I am going to be much more choosy in the sets I accept.  I don’t need to do the two drink token sets any more – I will still occasionally do one but only if there is something really appealing about it.

On that basis I agreed to play for AudioEdge on 14th March.  I think I have the last set in the garden – and will be playing for more than an hour.  Which I like – hour sets are pointless – how can you build an atmosphere in an hour?  Other than playing big tunes – which I don’t always want to do.

Plus the night has good headliners in Eli & Fur, it should be busy and I simply think I will enjoy the night.

See you on 20th February.  You know it makes sense.